By James Land Jones
The author's primary function is to teach that the poetry of Keats and Yeats is educated by way of a collection of assumptions, a method of apprehension, which marks it as a definite type of poetry: Romantic poetry characterised specifically by means of the weather of mythic considering analyzed via Cassirer and Eliade.
Introduction: The purpose for Myth
Chapter One: Soul Making
I "Curious Conscience"
II "My powerful id, My actual Self
III "A Greeting of the Spirit"
Chapter : solidarity of Being
I "Energy" and "Essence"
II "Beauty in All Things"
Chapter 3: The significant Idea
I "From Feathers to Iron"
II "An Interchange of Favors"
III "Time Annihilate"
IV "The Finer Tone"
Chapter 4: the nice Moment
I "There all of the Gyres Converge in One"
II "Fellowship Divine"
Chapter 5: Melancholy's Sovran Shrine
I "The beaches of Memory"
II the 2 Hyperions
Conclusion: Adam's Dream
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Additional info for Adam's Dream: Mythic Consciousness in Keats and Yeats
40 Of Maximus we only know that the distinction of his 9C0VT) led to his promotion, and, since he too is ignored by Philostratus in the Lives, that distinction is more likely to have been in writing than in declamation. The T€xvoyp&q>os Celer is almost certainly the orator graecus whom the Historid Augusta records as tutor to Marcus. The same source offers an Ateius (or Attius) Sanctus as teacher of rhetoric to Appendix 4) and also mentions T. Aur. Larichus (Sophists, 55 with n. D. 186 (J. H. Oliver, Hesperia 36 (1967), 332; A.
D. 127). 9. Fergus Millar, The Emperor in the Roman World (London 1977), 385. The topic of embassies is touched on passim, and they are the central theme of the brilliant chapter 7, 36317. 32 The importance of sophists - will have been as familiar with the ground rules as the star performers, and could surely have met the requirement (which I do not contest) of'a comportment, diction and choice of words in accordance with the exacting canons of Greco-Roman culture'. 10 But that the speaker should conduct himself in a manner characteristic of sophistic recitals could also be counterproductive.
It is not; there are defects in plot and narrative. Some of them merely represent the cost to Chariton of some advantage or another. , yes - but how likely is it that Hermocrates would destroy the only lead he has to his lost daughter? Some, again, are mere carelessnesses, and relatively trivial. 36 Yet others are instances of waste, simply. The Montagu and Capulet theme is a very damp squib in this story. But some of the very shortcomings of the story are distinctively Hellenistic. Some of the causation, and in major matters, Chariton motivates by attributing it to tyche: the finding of Theron's ship, the outbreak of the Egyptian rebellion which alone enables the author to find a denouement for his story.
Adam's Dream: Mythic Consciousness in Keats and Yeats by James Land Jones