By James M. Dunlop
Any artist wishing to perform determine drawing or to appreciate the body's circulate will do good to review the interplay of muscular tissues with bone constitution. This undying creation to human anatomy combines paintings and technology, concentrating on life like depictions of the skeleton's impression at the exterior shape and the attachments of the muscular system.
More than 70 black-and-white illustrations express the positions and names of muscular tissues and bones. transparent and actual, the diagrams hide every little thing from the bones and muscle tissue within the neck, head, trunk, limbs, hand, and foot to information of the face. Artists at each point of expertise will locate this quantity an necessary reference.
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Extra resources for Anatomical Diagrams For The Use Of Art Students
Table of Contents Title Page Dedication Copyright Page PREFACE. SIDE VIEW OF THE HEAD AND NECK. FRONT VIEW OF THE HEAD AND NECK. SIDE VIEW OF TRUNK. FRONT VIEW OF THE TRUNK. BACK VIEW OF THE TRUNK. OUTER VIEW OF THE LOWER LIMB. FRONT VIEW OF THE LOWER LIMB. INNER VIEW OF THE LOWER LIMB. BACK VIEW OF THE LOWER LIMB. OUTER VIEW OF THE UPPER LIMB. FRONT VIEW OF THE UPPER LIMB. INNER VIEW OF THE UPPER LIMB. BACK VIEW OF THE UPPER LIMB. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE.
BONES. MUSCLES. FRONT VIEW OF THE UPPER LIMB. BONES. MUSCLES. INNER VIEW OF THE UPPER LIMB. BONES. MUSCLES. BACK VIEW OF THE UPPER LIMB. BONES. MUSCLES. THE BONES IN RELATION TO THE OUTLINE OF FIGURE FRONT VIEW CONSTRUCTION LINES OF THE STANDING FIGURE. FRONT VIEW. Fig. 1 Fig. 2 In the above diagrams, Fig. 1 shows the leading constructive lines when the figure is standing upright and resting on both legs. In this position the line passing through the shoulders, and that drawn across the antr. supr.
Supr. spines of the Pelvis, are both obviously at right angles to the vertical axis of the body. In Figure 2 the weight of the body is carried mainly on one leg, and in this position the axial line of the body becomes a curve, but still the line drawn through the shoulders and that through the Pelvis may be regarded as at right angles to this imaginary curve. Observe that the Pelvis is higher on the side which supports the figure, and also that the hip makes a sharper angle on that side, and further, note the slope of the standing leg with the ground, necessary for the balance of the figure.
Anatomical Diagrams For The Use Of Art Students by James M. Dunlop